Genre
The video is clearly placed in the rock genre, with the shots of life on tour, the 'jet-set' lifestyle, guitar playing silhouetted against harsh stage lighting and huge crowds at stadium concerts. The use if muted colours and sepia tone is also recognisable as a generic convention of rock, as is the image of the band as being long haired, bearded and tattooed.
Audiences
Plenty of opportunity for fandom through this video through the backstage footage of the band on tour, and the band members laughing, joking and 'hanging out'. The lyrics are sad; and the visuals of the lead singer in black and white close-up, there is plenty of opportunity to develop a personal relationship by empathising with the lead character. Also audiences might get personal identity through comparing their own situations with those in the song.
Narrative
Tell the story of how the hustle and bustle of life on the road can be lonely. Tracking shots of traffic, hand held backstage footage, tracking aerial shots of cities, juxtaposed with close ups of the singer singing to camera provide the binary opposites of commotion vs stillness/loneliness. The close up black and white shots signify the singer's yearning for a special someone.
Institutional
The kings of Leon had been floating on the background of the music scene in the US since 2003, with a growing number of fans in the UK. But 2008 was the year they became global. Signed to Sony music,the band has one a Grammy award, and been nominated for NME awards, Q awards, MTV awards and several others. They headline music festivals globally, and their concerts are instant sell outs. They have launched a fashion range, and have appeared on the cover of Q magazine, NME and Esquire. As a commodity, the band is hugely valuable to Sony because of the huge following it has.
Representation
The bands image in the music video centers mainly around the lead singer, Caleb, who sings to cameras in close up, with a tortured, soulful expression. The shots of him alone (presumably with his thoughts) are cross cut against very busy shots to emphasize his feelings of loneliness. The shots of the band lounging around the hotel room overlooking high rise buildings at night signifies their jet-setting lifestyle. It is a very male orientated video; the only woman is in brief shots that suggests she is the subject of the singer's sorrow. They are represented as being successful and busy, and as people enjoying what they do (shots of band laughing together and hugging after a successful concert). There is a spirit of team work and of them being a unit.
Analysis
Opening shot is a wide shot of a dark hotel room overlooking the city, with the band members sprawled over the chairs which sets the tone and gives the audience an understanding of the narrative. Then we see a montage of shots that gives the impression of travel and cities (the aerial tracking top-shots, the plane, the W/S of the motorway, combined with the shots of band members getting out of tour buses). Slow cross-dissolves from the lead singer's close up to sped up shots of headlights on motorway place this lonely character inside the more fast paced action too. Fast paced editing keeps the audience engaged.